Sunday, 12 August 2018

Rosies Are Red; The Concept of Love in Thomas & Friends

This week, Cartoonito in Italy has started airing series 22. It's been a fairly decent bunch of them so far. And while What Rebecca Does provided a talking point with her thought sequences, Rosies Are Red completely eclipsed it. And since there's more to talk about here, and I don't want to bog down the review with this, let's talk about it.

So the episode is all about Diesel, Bill and Ben teasing Thomas and Rosie when the former helps the latter. Then, Thomas and Rosie make excuses to avoid each other only to meet up at the end only to realise that they're just friends. Also, the Fat Controller gives his wife a cat as a present. That's going to be important for a future point.

Anyway, fans hated this for a multitude of reasons. I don't really know all of them, but I'll go through the ones I've seen.

"It goes against Awdry's Vision!"
Yep. This old chestnut again.

I genuinely don't understand why fans constantly bring this up these days considering he was mocked endlessly when footage emerged of him lambasting Henry's Forest (an episode, I'll remind you, that is heavily praised by a lot of fans). There were memes all over the place of him saying "no" and "Rule 55".

Yet now you find an episode you don't like, you decide to bring a man's name (the name of a man who's been dead for 21 years, might I add!) into the mix? I've talked about confirmation bias before and here it is writ large. Not only that, but it showcases the blatant hypocrisy that fans are willing to put up with when they watch an Allcroft episode compared to a Mattel Creations one.Both of which are meant to be heartwarming and sweet, yet only one gets overwhelmingly positive recognition.

Other examples of this hypocrisy include:
  • Rusty to the Rescue completely re-writing Stepney's story to one that's a lot less interesting, a lot less tense and a lot less original. That actively went against Awdry's vision since he wrote Stepney's backstory (based on reality) to begin with! That is an episode that a lot of fans like.
  • Busy Going Backwards, Thomas the Jet Engine and Rusty and the Boulder (and Snow near the end) actively go against the laws of science. All three are liked by a lot of fans, even though Awdry's vision was more grounded.
  • Magic Railroad included magic and a diesel with a massive claw. It's a film that many fans either love unironically or like for the sake of nostalgia.

"Engines can't love!"
"They [Annie and Clarabel] are both old and need new paint, but Thomas loves them very much" - Thomas & the Guard, series 1, 1984.
 ...you were saying? Also, for anyone wanting to invalidate the meaning of love in that instance (because, you know, Awdry and Allcroft bias), here's a list of definitions of "love" from the Oxford English Dictionary. The first of which I will draw attention to.
"An intense feeling of deep affection".
This is shown throughout the show as well. They sung little songs to each other in early episodes, Annie and Clarabel often worry about Thomas' safety and, in Not So Slow Coaches, Thomas literally tried to chase down two of the fastest engines solely to get his coaches back.

If that's not love, I don't know what is.

But if you really want to take that out of the equation, I'll ask this one simple question: why can't engines love? They can feel:
  • happiness
  • sadness
  • fear
  • excitement
  • anger
  • worry
  • envy
Basically, the engines in the show can feel every single emotion that humans can. Love should be one of them.

Also, for anyone equating love to sex, take a seat and I'll teach you a little something: love and sex aren't inextricably linked to each other. Sure, you can have sex with someone you love, but you can also have sex with someone you don't. People have sex with each other for a multitude of reasons: stress relief, generally feeling horny, even as a horrible power play (see also: rape). Meanwhile, you can love someone you have no sexual attraction to them (see: asexuality. Although, if they do end up confirming that the engines are asexuals, that would be incredible since it'd be the first preschool show to have a fully confirmed LGBTQ+ cast. I think).

So for anyone dreading that this will lead to something more extreme down the line, the answer is no, mostly because a) it's a show for preschoolers, they'd never go that far and b) the engines have no reproductive organs. They're anthropomorphised, not actual humans. But that does lead me on to...

"It doesn't belong in a preschool show! It's inappropriate!"
This is in the same episode that features the Fat Controller giving his wife a cat. As a Valentine's Day present. How is that alright for kids and not Thomas and Rosie's dynamic that ends up teaching kids that it's perfectly fine to be friends with a character of the opposite gender?

Also, we're talking about a show that's included:
  • Death
  • Multiple crashes
  • An actual wedding
  • A woman kissing Percy
  • An engine stalking another and being in the right for doing so (ironically the same two characters)
  • Racist undertones
  • Themes of toxic masculinity (I love Diesel & the Ducklings)
  • Almost half of the things that happened in Sodor's Legend of the Lost Treasure (the abuse of Skiff, the use of dynamite - including Sailor John almost using a stick against Thomas, John whacking Thomas with an oar)
  • An engine (Gordon) almost exploding
  • Actual slavery
  • An engine almost getting incinerated
But sure, an innocent story about two engines who may or may not be attracted to each other is totally inappropriate for preschoolers(!) As is every time a child sees their parents being affectionate to each other. Or random strangers being affectionate in the street.

This is why this manufactured controversy is so stupid: it relies on the rest of the fanbase not thinking about it for it to have any credence whatsoever. And while I'm one of those people who would rather fans think about why they like or dislike something more than just "because I don't", this is one example where I can make an exception.

All fans needed to say was "I don't like romance stories", which is perfectly fine. Hell, I don't like romance stories because of how tired and boring the cliches are. The only exceptions being this (they end up staying friends and being fine with that) and Love, Simon (because it's an LGBTQ+ romance, and one of the few romantic movies that constantly keeps the audience guessing and the pay-off actually feels earned).

Simply put, fans complaining about this really need to start re- evaluating their relationship with the franchise, because there's no going back from this point. You're choosing to make yourselves bitter and miserable, and fan sympathy is running out for you. Either stick to what you like or find something to do or watch that will actually make you happy. Life's too short to be this miserable over, essentially, nothing.

Friday, 27 July 2018

Worst to Best: Films and Specials

With the UK cinematic release, and my review, of Big World! Big Adventures! this week, I thought I'd take a look back at all the films and specials created since the show's inception and see where I'd rank them all.

Like the fans who have done a list like this on Twitter, I'll be focusing on the projects that Gullane/HiT/Mattel have marketed as movies or special features. That means that Bubbling Boilers isn't being counted. It also means there's 14 to get through. So let's get stuck in!

Worst: Day of the Diesels (-3/10 - Terrible)
You thought the worst would be the first ever film, right? While I've railed against that film constantly ever since the Thomas fanbase gained a larger online presence, I genuinely think this is the worst film the franchise has ever produced. Because it feels like a feature length episode in all the wrong ways. Seriously, it follows every single plot structure from series 13-16 beat for beat.

But that's not all that's wrong with this. The tone is depressingly boring (which further exacerbates the repetitive nature of the story), it's yet another steam vs diesel story (only with strong racist overtones), the ending feels unearned, Diesel 10 is far too menacing (I honestly prefer hammy, over the top Diesel 10, especially with his design) and the main motivation for Percy siding with the diesels is flat out copied from a far better special.

You could say that one positive is that another engine (Percy) gets the spotlight, but... well, so did a future special, and that was far superior. Also, if you looked at the DVD box art, you'd think that Thomas was the star of it. You'd also think that Mavis and Salty had major roles too, but... they don't.

Overall, this is the absolute worst movie because there's absolutely nothing to gain from it. Heck, you could listen to the song that accompanied the film, and not only would you get a more satisfying experience than watching the movie, but you'd have actually heard the whole thing play out its near 3 minute run time. So just listen to that rather than watch the movie.

13. Thomas & the Magic Railroad (-3/10 - Terrible)
Yeah, yeah. I've explained why I hate this film so often that it's probably become a meme at this point. But honestly? Some bits are so entertaining (pretty much any time Diesel 10's on screen, some of the really hammy acting) that I can't justify to myself that this is the absolute worst, even if I want to believe it.

Sure, Day of the Diesels has the more complete, coherent story. But when it's as terrible as it turned out to be, I'd rather a nonsensical plot that actually has some entertainment value. Also, yeah, this is the best acted and funniest Diesel 10 there's ever been. In hindsight, I shouldn't have been as harsh on him as I was.

12. The Great Race (2/10 - Bad) 
This had so many amazing sub-plots. Gordon's rivalry with his brother, Flying Scotsman. Philip and Vinnie's bullying story. Diesel being the funniest, yet most devious, he's ever been. And what was the main plot they decided to go with?

Thomas having self confidence issues and Ashima trying to set him straight. Or, to put it another way, the love child of Dream On and Tale of the Brave.

This was the first special I was truly disappointed by as I knew it could've been so much more than it was. If they'd have just focused on Gordon's sub-plot, I feel they could've gotten more character development and a far better, more interesting conflict. Heck, they probably could've tied that in with Gordon wanting to be streamlined. Sure, it probably would've gone down the "confidence issues" route the actual film went down, but it would've made a lot more sense.

Instead, we got something that ended up being far less interesting and so much potential that was left in the creative department.

11. Big World! Big Adventures! (3/10 - Bad)
Honestly, this one hurts to put as low as I have. But as good as some of the lessons are, as fantastic as some of the character interactions are, that lack of story kneecaps it immensely.

I won't go into too much detail as I've only recently reviewed it. But needless to say Nia's the best character in it because she's actually a character that happens to be female rather than being female spouting "I don't need no man" cliches that so many female characters seem to be saying these days.

10. Misty Island Rescue (3/10 - Bad)
This one has the opposite problems that Big World! has; terrible themes and really bad characters (and atrocious dialogue), but a really good story.

Because of that, it was tough to decide which was the better of the two. But I think this is better (slightly) because the story has higher stakes, actual tension and an actual flow to it throughout its run time. Also, that post credits scene is still fantastic. It didn't really lead to anything good, but it left you intrigued as to what Diesel 10 was planning.

9. Calling All Engines! (5/10 - Average)
If Day of the Diesels is a feature length episode done wrong, this is one done right. Mostly. I don't mind the learning segments that much, and I can understand why they were included. But I'm glad that no other special has any and I feel that the deleted scenes could've replaced them and nothing would change.

Overall, this was a steam vs diesel plot done right. And it's honestly where the rivalry should have ended, rather than being dragged on and on, being used as a crutch when the writers have no other ideas. It's also great that they actually show that not all diesels are bad, as Mavis helps Thomas try and sort the problem.

The only real issues are that the story, while good, is also unremarkable, the climax with Thomas, Diesel 10 and George feels tacked on solely to have Diesel 10's appearance have a point and (not an issue with the actual special, but still a shame) Daisy's appearance is never built on. Fans had to wait 10 years, a change to CGI and a change of production studio, for her to do anything.

Honestly, I can never hate this special. It was released, and I saw it, at a time where the staff at my school were hell bent on getting me to distance myself from the franchise (because why should schools celebrate individuality when they have targets to meet, am I right?) and this was the major factor that kept me attached to it. And while my liking of it has waned since I first reviewed it 7 years ago (I've since reverted the review to a draft state; I may re-review it soon), I still think it's alright. I'd go so far as to say it's slightly underrated, even if I understand that it's not everyone's cup of tea.

8. Hero of the Rails (6/10 - Average)
While I think Calling All Engines! is underrated, I think this is overrated. The story is fine, and it does a decent job of making Hiro seem sympathetic, I feel they go a bit too far at times, passing the line from sympathetic to annoying.

Not only that, but the dialogue is really bad at times. Not as bad as Misty Island Rescue, but it's bad enough to detract from the overall experience. Also, the ending was completely devalued since Hiro's been seen so often on Sodor since then (I hope Thomas goes to Japan in the future so we can see Hiro in his homeland).

That said, I really liked the story, I like that the main cast actually came together and worked as a team to help Hiro, I like the theme and lessons and I liked that Spencer was the main antagonist rather than a diesel (even if the turn came from nowhere).

It's an OK film overall, but definitely could have been better.

7. Journey Beyond Sodor (7/10 - Good)
Talk about an OK film made so much better with its theme and characters. Granted, Frankie's motivations could have been a lot clearer, but the new cast of characters here are far better overall than any other film so far (I'd have said it was BWBA, but we don't really get much time with any of the new characters besides Nia and Ace).

Honestly though, the film's fortunes really turn when Thomas sings I Want to Go Home. While I personally think Hottest Place in Town is better, that song is the one that makes you really care for Thomas as, up to that point, he was really selfish and - deservedly - paid the price for it.

Also, I still love Theo. He's the most precious little cinnamon roll and deserves so much more attention than he's gotten.

But that's all I can really say. My opinions on it are still pretty similar to how they were when I wrote the review last year. It's an enjoyable enough adventure with a really strong lesson.

6. The Great Discovery (7/10 - Good)
My love for this has waned a bit over the years, but I still really like it. I think the problem this has had is one that's not really this special's fault: current specials just have better writing (for the most part) and stronger characters. Case in point: Ryan is a far better realised version of Stanley (even if I like both and like writing for both).

Another issue this has is that it's stuffed with so many characters that do absolutely nothing. I get why: it was the last project to only use the models, so they wanted to use as many as they possibly could. But I'd have  much preferred a smaller cast where every character has purpose.

The other thing that puts me off is the narration. Don't get me wrong, the fact it's narrated by Pierce Brosnan makes it feel even more special since the others (except BWBA which removed the narrator's role entirely) were narrated by Michael Angelis and, later, Mark Moraghan. But it felt like he was narrating a bedtime story too much. I think, for a project like this, it would've benefited more from a bit more enthusiasm.

Other than that though, this was a really good special. It had a good dynamic between Thomas and Stanley, the story was fairly solid and the theme was decent as well. Also, Thomas, You're the Leader was an excellent way to end it.

5. King of the Railway (8/10 - Good)
OK, now we've reached the big guns. Ordering these five was difficult, but I'm satisfied with the order. And this is what I've chosen to be number 5.

It's genuinely impressive that they managed to create a story that ended up branching off into different directions while still managing to tie itself together really well. It's why I'm really disappointed with BWBA, as this managed to do all of that in an hour yet they barely told one story (and left one character dynamic completely open ended) with 20 extra minutes.

Not only that, but they added so much world building and lore to the show and it didn't feel out of place whatsoever. They tied it into the story really well, and it led to a really fun adventure.

The only real negative is that Stephen and the Earl were the only new characters that got a good amount of screen time and a solid personality. Millie, Connor and Caitlin are just... there.

Overall, this was a really strong solo debut for Andrew Brenner. But his previous contribution is just that little bit better.

4. Blue Mountain Mystery (8/10 - Good)
It's difficult to pinpoint who made this special as good as it was, or how much of the original script that Andrew Brenner edited. But it was definitely the best special ever made up to that point.

Sure, Luke being the "mysterious engine" could have been seen from a mile away thanks to the marketing spoiling it. But the way the whole mystery played out on screen was fantastic. And the twist with Victor was really unexpected. It was also nice that they added more to a character that had been around for a few years.

Another nitpick is with Rheneas being painted yellow. It didn't look that great and it was really pointless in the long run. As much as it tied his "I want a repaint" sub-plot up, it felt like it was only done to sell toys. In fairness, it makes sense that they didn't use Duncan since the Talyllyn's Douglas was being repaired when Nitrogen went to the railway for research. But it's still a bit of a shame.

Also, I still think Paxton should've been introduced here. He had more of a point, more of a character and it felt like he belong in it far more than he did in Day of the Diesels.

Overall, this is the only Nitrogen special that still holds up. It's a well written mystery with great characters and it was a fantastic way to bring back the narrow gauge engines (unlike series 16..!).

3. Sodor's Legend of the Lost Treasure (9/10 - Great)
Oh boy...

Ever since this film came out, I've been torn about whether this or the actual number two should have taken that spot. But after so much deliberation, I feel like this is the best positioning for the two.

They're both good in their own ways. This has much better music and songs, it has far more action and drama, it feels like the only special so far that's truly belonged on the big screen and it had a really fun sub-plot with Marion, the small engines and the two Olivers. Also, Sailor John was a fantastic villain and Skiff was a really sympathetic character.

The only real issue? Thomas and Ryan's dynamic feels far too much like Thomas and Stanley's. Thankfully, Ryan has been given a more defined character now, but here he was a generic, happy go lucky character like Stanley.

Also, and this is going to sound slightly controversial... all the action makes it feel... less like a Thomas movie and more like an action movie with Thomas character. It kind of lacks some of the charm and heart that the show's known for. It's not something that turns me off completely like it did with Magic Railroad as this is a fantastically written story. But it's because of this that I feel that number 3 is the best spot for it.

2. Tale of the Brave (9/10 - Great)
Out of all of the 60+ minute films/specials (whatever you want to call them), this is the best one... just. Why? Because it feels like a Thomas & Friends film more than any other. Is it a perfect story? No. Is it the most action packed? No. But what it has is what the franchise should be known for: heart, charm and bags of character.

And even if the story isn't perfect, it's still great. It removes an aspect of Percy's character that really wasn't necessary (until Three Steam Engines Gruff at least) and his dynamic with Gator was simply amazing. Seriously, it was so great that the ending where the visitor leaves was the most emotional of the entire franchise (for a year at least). Even now, I get a bit emotional when watching it. It's such a good dynamic that they tried copying it two years later. And failed.

Also, James as the antagonist was great. It didn't feel out of character or out of place, he fit the role brilliantly and he genuinely felt remorse in the end. He's definitely one of the better antagonists of the franchise.

I could honestly gush about this special for days. But all I'll say is that it's, by far, the most underrated film of the franchise. And the only reason why, I think, is because it focuses on telling a good story rather than adding lore like King of the Railway or being an orgy of action like Lost Treasure. Maybe it'll get the recognition it deserves some day, but all I know is that I'll always love it and will always sing its praises.

Also, the song Tale of the Brave is one of the best of the franchise, and the full version should've been released on streaming services.
Best: The Adventure Begins (10/10 - Great)
Could it be anything else?

Yes, it could be considered 40 minutes of fan service. But I tell you what, when the story is this good, I don't mind it feeling fan servicy-y (it's when it overshadows the story when it becomes a problem).

This is, to be blunt, the best adaptation to ever exist from any era of the show. It has the perfect mix of emulating the existing material and Andrew's own interpretations of Thomas' story. It develops Thomas fantastically well, and the ending is still best of any project in the franchise. Even though Thomas' branch still doesn't get much attention, and Thomas is seen everywhere, that ending still brings a tear to the eye solely because of how triumphant it is.

Also, this has Edward's best role since 1998. No joke, no hyperbole. He felt like the old, wise, patient guardian that he truly should be. And if taking him out of the main cast and putting him with Philip means we get more of that, I'll happily take it.

On the whole, this (and Lost Treasure) was an excellent way to celebrate the franchise's 70th anniversary. I'd go so far as to say this is the definitive version of Thomas' story. It's just incredible, and absolutely deserves the title of best Thomas & Friends special ever produced.

Saturday, 21 July 2018

Big World! Big Adventures!: The Movie

It's been a long road to get to this point. So much fan vitriol, so many press releases, all the draft animation has all finally culminated with the release of the first of the major projects under the Big World! Big Adventures! umbrella this year; the movie itself.


And... it's not that good, to be honest. The sad thing is that's... pretty much all I can really say about it. Not due to the risk of spoilers, but because the film itself gives me so little to talk about.

The film allows Thomas to see the world, and when this was made known in the trailer, I posed the question: "OK, what now?". As it turned out, very little. The story becomes non-existent as soon as Thomas reaches Africa. Sure, Thomas tries to keep up with Ace (although why he'd want to after the car turned against him the second his rally friends were in the picture, I don't know), and then there's conflict between him and Nia, and then there's the Fat Controller looking for Thomas. But that's literally it.

There are absolutely zero stakes here as there's really nothing to obtain or lose. And the only time Thomas is in any real danger is when Ace leads him on when they near San Francisco. Well, Nia nearly dies due to a snowdrift and... admittedly, that was the one time I really cared because Nia is an absolute delight. She's the best character of the film solely due to how likeable and jolly she is.

The other thing I really liked is how Nia and Ace are like two sides of the friendship coin. Ace is pretty much the idea of what a friendship is, offering words of support but only being there when it's convenient for them. Meanwhile, Nia is an actual friend: someone you have disagreements with but is there when you need practical assistance as well as emotional support. It's genuinely some of Andrew Brenner's best character work ever, and was definitely the bright spot in an otherwise forgettable work. Seriously, if you hate Nia, you either hate positive characters or you're a racist. Although, this is the Thomas fanbase, so both are likely..!

The one issue is that Thomas and Ace's conflict is never resolved. There's never a moment of realisation for Thomas that Ace was a negative influence. The worst thing is that there was a scene on the way to the Utah salt flats that it would've fit in brilliantly. Instead, we get a quiet moment where we transition to the next day when they're rescued. It would've provided some great character growth for Thomas and would have made Ace realise that he needed to change his way.

I've heard some fans saying "maybe [certain aspects] will be explored in series 22", to which I say they had 80 minutes to work with here! If they can't tie everything up in that amount of time, they're either poor storytellers or lazy ones. This isn't a Toad's Bright Idea scenario where an episode took place within a special. They didn't need to do that since Tale of the Brave told a complete story as it was. They wanted to in order to develop Gator and tell another interesting story within that time frame.

Speaking of Ace, the controversial scene in Free and Easy with Carlos was cut. As much as I objected to the outrage of it, I can understand why it was removed in the final cut. Honestly, I don't get why it was even included having watched the special. It added nothing to the story or song it was in, and its omission actually helps the flow of the song.

Another thing I disliked was the pacing. For the most part, it was fine. I like how it went straight in to the story, and the first two acts flowed really well. Then the third one came along and... well, 6 minutes after Nia's rescue, the special came to an abrupt halt and the credits rolled. Europe and the countries within it were just skipped, only depicted as some basic visuals to accompany the We're Friends song, Nia revealed she was homeless and Thomas offered to let her stay (which is a wonderful theme about offering a hand to those who need it) and they skipped from the Vicarstown bridge to Knapford. They didn't even bring the Far Controller home. It all felt really rushed to me.

And now let's talk about the songs. Sometimes You Make A Friend is, by far, the best song of the bunch. The others are either mediocre or bad. The reason the one I mentioned is so beautiful is because it's so heartfelt and it actually fits with the minimal story threads the film has. Thomas knows he's screwed up with Nia and he wants to put things right. Plus, anything with a ballad-y tone is a weakness for me.

Free and Easy tries so much to ape something like Hakuna Matata it's actually sad and the others just feel really preachy and just plain bland.

The animation has been the biggest sticking point for many fans since the stuff we'd seen up to this point was... mediocre. Happily, the final version is as excellent as it always has been. Although a lot of the assets used for the other countries were reused from pre-existing renders to save on time and cost. If that bothers you, then you won't like watching it. I'm personally not that bothered. I'm more bothered by the non-existent story.

That said, I did like that the special started in the summer and ended in the autumn. It was a nice touch to symbolise just how much time had passed since Thomas had left, and made the dialogue mean a lot more than if it had ended during the summer as well.

Also, yes, I liked the movements. Yes, they can be a huge distraction and I don't blame fans that don't like them (although those who bring "Awdry's vision" into it can really get lost). But they add a lot more expression to the characters, and that can only be a good thing as far as I'm concerned.

The only nitpick I have is that, as soon as the sun comes out in the Amazon after a huge downpour, the train suddenly becomes dry as though nothing had happened. I think the scene would've benefited had they just kept the rain soaked renders until they reached North America.

Final Thoughts
Overall, Big World! World Adventures! widens the scope of the show's world yet completely forgets that it needs to tell a story. While there are plenty of excellent character moments sprinkled throughout, and Thomas being torn between Ace and Nia is the strongest, best aspect of it, that's literally all it has to offer in its 80 minute run time.

Some can see this as a typical road trip movie with Thomas characters, and I agree with those who think that way. The problem, however, is that other road trip movies (even ones for kids) have far higher stakes, stronger - if simplistic - plots and something to actually gain by the end of the trip. This has none of those things. And as strong as the character moments are (I'll maintain they're some of the best until I'm dead and buried), they can only get you so far without a good story to back them up.
Film Rating: Bad

Monday, 25 June 2018

“Fan” Reaches New Low

For fuck sake...

It feels like this fanbase is intentionally trying to reach new lows at this point. This time, some utter twat (whose grasp of the English language is as poor as this... “decision” of his) thought it’s be a great idea to say this:


Now, normally, I’d pay this no heed. Another defensive fan acting defensively when something he hates is brought up in conversation. That’s nothing new for this fanbase. Hell, some fans indulge in it for the attention.

No, I bring this up because this particular cretin went after a child. A child who just so happened to like Big World, Big Adventures!.

Yes. You read that right. A child enjoying clips from a preschool show got a verbal lashing from an “adult”. I mean... what do you even say to that? Whether you like what you’ve seen from BWBA or not, the utter madness that has come from this fanbase has been fucking ludicrous. From the racist and sexist Nicole Williams to the death threat towards Peter Andre to... this.

Whatever you think of BWBA, I’ve gone beyond caring at this point. If you think behaviour like this is acceptable, stay well away from me and this blog. Frankly, your sycophantic behaviour is not welcome here. Nor is the behaviour you’re trying to defend.

Especially adults bullying kids. You have to be a special kind of arsehole to indulge in that behaviour.

Friday, 15 June 2018

Free and Easy; More Confirmation Bias

For God's sake...

So the official channel uploaded Free and Easy, the main song of Big World, Big Adventures: The Movie. The song itself is OK, and it's nice that they actually used a singer to showcase his singing talent in a movie he's also voice performing in (he's not bad at either, to be honest. And fuck Nicole Williams for wishing to send death threats to him. You're not just one of the most disgusting people in the Thomas fanbase, but life in general. Only Nazis and dictators are worse than you).

No, apparently the conversation is with this:

Now I know I'm probably missing something here since I've done as much as possible to remove myself from the franchise, but... what's the issue here? I've seen it in motion, I've seen this screenshot and... I don't get it. I mean, that mouth is uncanny valley-esque, and the mariachi music playing whilst this happens could be considered problematic with regards to cultural sensitivity. Also yeah,  even if I can forgive bad looking animation more than a lot of other people, the Crash Bandicoot N. Sane Trilogy looks better than this.

Hell, the Spyro Reignited Trilogy looks better than it.
I'll be honest, I only included this because I love how it's looking and I'm really looking forward to its release in September

But from what I've seen, fans are only complaining due to how random it is? I could be wrong, but that's the biggest complaint I've seen on my Twitter feed. Because, you know, random stuff has never been shown in a musical number before:

Hey, it's OK because small engines! Am I right, lads, lasses and non-binary folks?













Seriously, how are these instances any different than the one in Free and Easy? My only conclusion is that fans want to hate and are willing to point to anything to satisfy their blatant confirmation bias. And before anyone points at me and says "hypocrite!", let me point out three things:
  1. I don't hate it, I'm disinterested in it. There's a big difference between the two, mainly that the former is an emotional reaction while the latter is just "this thing exists; I don't care that much.
  2. If you actually paid attention, my criticisms come from things that matter: boardroom decisions, the overall story and themes as well as the characters. They aren't being directed at every little thing, most of which have nothing to do with anything.
  3. Even if I was a hypocrite, I'm still right. It's up to you to prove me wrong without using labels like lazy people.
Look, I get it. This special is different. It's trying to be more inclusive. It's borderline cynical. But here's the thing: what does it matter if the writing quality is still the same and kids enjoy it? That is all that matters. Fact. If you don't like it, fuck off and find something else to watch. Or just watch the stuff from the show that you actually enjoy.

Monday, 12 March 2018

Series 3: Henry's Forest

With a long, long wait for new content from the show, I think it's time to review another old episode. And the episode I've chosen is one of the most divisive of the classic era, possibly one of the most divisive ever. That being Henry's Forest.


I reviewed this episode back in 2011 as part of a series 3 overview and... wow, was it terrible. My early reviews were criticised for being incredibly nitpicky. Looking back, the detractors were absolutely right. The episode that suffered the most nitpicky review was this one. It was a shameful piece of work that only focused on Rule 55 and agreed with everything the Rev. Awdry said. And while I do still agree that ignoring railway regulations was bad (in the context of how grounded and faithful episodes were to regulations back then), that's not what makes the episode bad. At all.

Rule 55 had been broken before (the most egregious example I can think of is Woolly Bear, where Thomas, Percy and Toby all stopped on the open line at Tidmouth). So that excuse for disliking Henry's Forest does not wash. It should never have washed. I genuinely believe the only reason Awdry brought it up here was due to his own prejudices with Henry, and how problematic the engine was for him. Well, that and it was based on a story he hadn't written. Besides which, if your only focus is being "realistic", you get boring, plot-less husks of stories like The Flying Kipper.

Now that that's out of the way, I can focus on why the episode is actually bad. The first of which is that the tone is so consistently sad that it produces one of the most tedious, boring viewing experiences of the entire show.

I get it, they wanted to create a melancholic tone. And it worked; as a child, I was sad and emotional while watching it. But as an adult, those emotional scenes have no impact any more. This, admittedly, could be down to watching it multiple times. But I also think that it's because it tries too hard to be sad... and nothing else.

The story, narration and music all come together to create an incredibly sombre atmosphere that is completely unique and memorable for the series, and that's great. But it's a double edged sword since... well, it comes out of nowhere. The forest comes from nowhere. Henry's care for it comes from nowhere. And I'm left thinking "why should I care?"

If I could compare it to something else, look at Up!. Pixar's wonderful film about fulfilling your dreams is best remembered for two things: Dug the dog and the first ten minutes. That love story is one of the most adorably charming, yet tragic, moments in cinematic history. And the reason it's so well received is that we get to see the characters grow up together. We see them indulge in their hobbies and how much they care for each other. And when Ellie dies, the sadness destroys you. I've seen that multiple times too, and I still get teary watching it. It's a masterclass in storytelling, and it's only ten minutes of a 90 minute film.

The rest of it does a brilliant job to produce an uplifting tone mixed with action, drama and humour. And even when it does get emotional again, those moments never go so far as to overshadow the major gut punch at the beginning. Nor do they overstay their welcome in their own right. Granted, Pixar had 90 minutes to work with. But the thing is you can still manage that balance better in only five.

Case in point? Edward's Exploit. The reason Edward's act of heroism stands out is because everything else before it is so... normal. The music is peppy, the sun's out, everything seems fine. Yet with one sentence, a change in conditions and a musical cue, you know something's wrong. And after Edward sets off, the narration and music become more triumphant. And while you do get musical changes with Henry's Forest... they're not strong enough to distinguish them from the supposed "uplifting" ditties we hear when we first enter the forest and when the episode ends.

The second issue I have is with the theme, and this problem is two fold. First off, if we're applying this to the world the show's set in, the whole thing is counterproductive. Steam engines burn coal, and burning coal emits quite a bit of carbon dioxide. Carbon dioxide emissions damage the planet, including the trees. Ergo, Henry would be doing as much damage to the forest as the storm did. Yes, it's vital that we look after the planet. But it's also important that the themes of a show fit its design. And environmental themes just don't fit Thomas & Friends whatsoever. Never have, never will.

My second issue with the theme is that there seems to be a subtle allegory of death and rebirth in it... which is a detrimental lesson for children to learn. Yes, death being a finality is harrowing for preschoolers. Or anyone, for that matter. But a) this show had already killed a character and walled Henry up by this point, and b) if you're not willing to go all the way with the allegory, don't bother with it in the first place.

Death is a certainty, and one that kids need to learn as soon as they're able to - if only to deal with it better once a real tragedy strikes. And that, I feel, is where the episode truly slips up. While I agree that the ending is uplifting (or, at least, it's supposed to be), I think learning to accept the death of the forest would've developed Henry's character much better. He'd have come out the other side a stronger engine, which would have led to a beautifully uplifting ending in its own right.

Final Thoughts
There are some episodes that you can watch time and time again and they'll never get old. But this is one that you can only really watch once to feel its effect fully. After that, it becomes a real slog to sit through. It's not completely devoid of good moments: Henry gaining some character that made him stand out from Gordon was great, and Donald doing something away from Douglas is something the show needs to do more often. But the overall tone and theme the episode presents make for a really sad time in all the wrong ways.
Episode Rating: Bad

Monday, 19 February 2018

Confirmation Bias

I was going to use this post to talk about the focus on Nia at the New York Toy Fair, but... there’s honestly very little to talk about. It only concerns me that, because all the PR is directed towards her rather than Rebecca, Nia herself will be a dry character.

Instead, I’m gonna rip the fans a new one - again. Why? Well, Yahoo Hong Kong (of all sites) has released an article about Big World, Big Adventures. And... well, fans ran it through Google Translate and all common sense flew out of the window.

The translation is absolutely awful. I’ll leave a link to the article at the end so you can translate it for yourself. But the English is as broken as my thigh bone was after the surgery a couple of months ago. The only part that can be understood (kind of) is the subject of fan anger and this post, however. Here is the quote in question:
“With the appearance of Nia and Rebecca, Henry and Edward reduced their roles and gradually disappeared from the company.”
Alright. Let’s tear this quote apart, shall we?

First of all, they’ve pretty much explained what’s already happened. While Edward got two big roles during series 21, Henry got very little to work with. He was even written out of Journey Beyond Sodor in the first five minutes, only to reappear right at the end! And then it was announced, and clarified by Mattel, that they’d no longer be in the main cast (hence the translated word “company”). We’ve known this for months! The reports have simply been translated into Chinese, then poorly translated back to English by Google.

Second, how the hell are they going to completely remove two characters that work on important routes in the CG era? Henry works on the main line, so we’ll still see him pulling goods and passengers from time to time. Meanwhile, Edward works on his branch line, AKA the line that ends at Brendam Docks. AKA one of the most important locations in the show at this point!

Simply put, fans would rather ignore the facts and the concept of rational thinking so they can continually push their confirmation bias against Mattel (which has been there since they announced the changes to the Wooden Railway range). This despite the fact that they hired a team that have produced some of the show’s best content since 1995. Possibly some of the best ever at times.

Trust me, I’m not exactly thrilled about the changes either. I’ve written enough blog posts and tweets with regards to my thoughts on this whole thing. But I’m willing to give the new series a shot for the sake of supporting the production team. If you can’t, fuck off and find something else to watch. No one wants to hear your baseless negativity. No one wants to hear your bullshit claims based on poorly translated news articles. If we wanted either of those things, we’d move to America and live under Nazi Trump’s dictatorship.

Fans need to get the idea that the world revolves around them out of their thick fucking skulls. It’s this mindset that drove the biggest Trainz modelling site to shut down. It’s this mindset that almost drove another modeller on Twitter to do the same. And it’s this mindset that makes these people think that Thomas & Friends is more than it truly is, was and always will be: a television programme aimed at preschoolers.

Source:

Saturday, 17 February 2018

The Bachmann 2018 Range Is... Kinda Garbage

Yesterday, Bachmann announced their lineup for 2018. To say it’s disappointing is an understatement. Honestly, I’d go so far as to say it’s legitimately terrible and incredibly lazy. Granted, we still have Rusty and Paxton yet to be released. So if those two are taken into account, it’s not as bad. But they were announced last year...

The first announcement was Grumpy Diesel. Not a new diesel character, just Devious Diesel with a face they should’ve produced when he was made a few years ago. Yes, they’ve literally just changed a face and pretended it’s something new... Why they couldn’t have just released the face as a separate item to keep costs low, I’ve no idea.

Then we have the cream and green (or Gordon’s) express coaches. They’re... literally the same coaches they discontinued. So why the hell they dropped them for a few years, I’ll never know. Heck, I’ve no idea why they were dropped at all considering their importance on the show.

Next up is the Spiteful Brake Van... so they’re just slapping a face on a brake van. To be fair, this one isn’t their fault. But they most likely chose it because it’s something easy to produce.

Then there’s two tankers: Sodor Diesel Co. and Water. Not much to say about these. One will be yellow, the other blue. Oh, and they’ll have words on the sides rather than symbols. So if you’re one of those fans still pissy about that change from the model to CG era, these will make you happy.

Large scale, meanwhile, has it worse. That range only gets three tankers: Water, Chocolate Syrup and, weirdly, Toffee (that one from Sticky Toffee Thomas). Again, nothing to say about these.

While the narrow gauge range didn’t get much either, only red and blue coaches, at least they’re completely new and original moulds.

Overall, this is the worst year for Bachmann so far. Fans have already defended them by saying “they’re a business. They have to satisfy investors. They must only have a limited budget.” Yet those exact same excuses could apply to everything that Mattel has done with the franchise and merchandise over the past year. It hasn’t stopped fans tearing them apart.

To counter that argument, I’ll end by offering up a similar question to the one Jim Sterling asked EA with regards to Star Wars Battlefront 2’s loot boxes: should Bachmann really keep ranges going if they can’t afford to keep them going?

Sources:

Tuesday, 9 January 2018

Journey Beyond Sodor: How It Should Have Been

I've talked about this thing three times already. The first time, I was parroting reviews from other detractors which wasn't really fair, in hindsight. The second was via my live tweets while watching it, which was less of a review and more a genuine reaction when watching in real time. The third was the last blog post highlighting the discriminatory behaviour of some manchildren solely because the opinions of disabled gay man didn't affirm their opinions on it. So now I thought why not dive back into this one final time for a proper review?

I'm going to be fair and start with the positives. First off, I do really like that there was a more solid reason as to why Hurricane and Frankie have stuck together throughout the Steelworks' hardships, and I like that they ended up finding somewhere new to work. I don't think it was as the real thing, but it's a different interpretation that I can appreciate.

Second, I like that they linked the experimental engines into the story more than the real thing did. You get a real sense of the animosity during the third act. And it's admirable they'd risk themselves to save the others.

Third, the banter between Henry, Donald and Douglas was fantastic. Seriously, if they ever decide to do another project, make those three the stars. I genuinely think they could create gold with those three.

And finally, there's the visual design which is... fine. There are a lot of issues, which I'll address, but the lighting, general cinematography and modelling work is passable. To those saying it should skirt on by because of that though, Michael Bay movies have great cinematography. Does that make them any better? Anyone with enough artistic talent can make a decent/good looking movie. But it takes someone with writing talent to make a good film.

And that is where the problems lie: the writing is atrocious.

First of all, this is how the film starts:
This is the worst way to start any project, let alone one that wants to seem professional. It makes the whole thing feel like more of a cynical product than anything Mattel has ever produced. The criticisms they brought up were nitpicky at best and petty at worst. They're literally acting like a show for toddlers should pacify them as well.

Not only that, but the last two paragraphs are incredibly narcissistic. I watch WhatCulture Wrestling, which has two series: "How WWE Should've Booked" and "How WWE Should Book", going through major storylines - past and present - and seeing how they'd do it. Here's the difference: the WhatCulture host was hamming up his arrogant personality, whereas the arrogance here feels genuine. Turns out, however, the fans who thought they could do better than Andrew Brenner and co fell victim to the Dunning-Kruger effect.

The way to fix this is simple: don't bother putting that stuff into the video itself. Put it in the video description or something. Oh wait, they did:

My second point is that the narrative is terrible. There are constant contradictions throughout (James saying that he didn't think BoCo was that bad mere seconds after insulting him and Flying Scotsman running on BR when it's said that only diesels run there being large examples).

What's worse, though, is that the whole thing falls apart 5 minutes in. James did something similar to what Thomas did in the real thing... and no one bothered to check whether he was being truthful. Not even James' crew. Which, considering the whole pull of this is "wanting to respect Thomas' universe" (I'll focus on that more later), goes against it a bit. If this was the case, the driver would've stopped him and taken him home so he and the fireman could be with their families.

I get it: it's really disappointing that the roles of engine crews have been diminished over the years, But considering all the stories we've been given, it should really be considered a "necessary evil" at this point. Including them in stories like this makes them look really stupid since they didn't take any initiative.

And then there's the pacing. The whole conflict reveals itself in around 7 minutes, which is rather quick when the whole thing is an hour and a half, the rest plods along and adds plot points randomly and there are forced in conflicts to keep things going for that run time. Heck, Hurricane and Frankie inexplicably reach Vicarstown Bridge before everyone else because... reasons!

The characters aren't much better. As much as his dynamic with Donald and Douglas was great, Henry was a real wuss, Gordon was fine until he became a discount James, Donald and Douglas themselves could only be described as "Scottish" at one point - stereotyping that country to the nth degree once they get there. Oliver's only purpose is to constantly remind everyone that Escape! had happened and James... was the worst portrayal of the character I've ever seen.

If there was any example as to why proofreading a script is important, James' characterisation is it. Well, the whole thing is, but James' character suffered the most. The narrative treated him like the most egotistical, racist character to ever exist, which is a preschooler's understanding of who James is and bumped up a billion notches. Sure, Thomas was a bit selfish in the official version, but at least you ended up caring when things went wrong for him, and his turnaround was genuine. Here, James didn't develop whatsoever. Emotionally, he was in the place as when he started, making the story even more pointless.

And then there's the themes. I don't know what they were going for, but the main one I gathered was "you're flawed, we'll accept that", which is an incredibly damaging moral. Let me put it this way, if I didn't surround myself with so many amazing people at my lowest point, eventually overcoming my flaws and problems, I would have become more self destructive and more mentally unstable. That was me as a guy in his 20s. Imagine if that's what a child took from this!

Oh, by the way. If you want to create a project that's a massive "screw you" to a certain company, don't use their tropes for your story. They handwave this by saying "we had to use them to keep the feel of the current era". But... isn't that what this thing is fighting against? It's a huge contradiction. If you're wanting to make a spiteful point, make your own adaptation your own way.

There are other problems like the annoying fan pandering (maybe if less effort had been put into that and more gone onto the story problems..!), but the one that annoys me the most is the "respecting Thomas' universe". Thomas' universe is primarily British, but there are so many American influences here that you don't believe that's the case. American terms are used and the engines constantly wrong road. None of these things I'd care about if the creators themselves didn't make them such a big deal. If this was simply their own interpretation of Thomas' universe (rather than thinking they know all about it), I'd be much more lenient.

And then there's the visual design. While I've pointed out the positives, the negatives are huge. First off, continuity errors. Engines swapping lines, engines travelling on actual roads and tracking shots poorly green screened. The latter can be excused, but the first two can't. Shot consistency is one of the first things you need to learn as an amateur filmmaker. And while, yes, even professionals make mistakes, they aren't this frequent or this obvious. It's honestly really sloppy, and maybe spending more time on filming and editing to ensure it was polished would've ironed these issues out.

Finally, there's the songs, which are just as bad as the rest. The first one just hammers in the point that "Sodor good, BR bad!", giving the film a feeling that it was written to be Sudrian propaganda. The second one tries to make you feel bad that the experimental engines have never been given any opportunities, even though they started out working at the Steelworks! Also, the song ends at a random point right at the end of the scene. It's incredibly jarring. Sure, Who's Thomas? ended a scene in the real thing, but the final verse of the song actually felt like a natural stopping point for the song, and the scene. The third one's rather forgettable.

Final Thoughts
I appreciate that this was a fan project and that a lot of effort went into it. And I really do like a couple of scenes and character moments. But I still maintain that this is the most narcissistic, fan pandering project I've ever seen. The characters are bad (and most are pointless), the theme is awful and the story itself is terrible. Honestly, a lot of the problems narrow down to contradictions and too much telling, not enough showing. Although it doesn't help that the film starts with a 45 second message that makes you want to turn it off. But even if you take that out, it really doesn't add much to Journey Beyond Sodor at all.

Overall, I'd rather watch the original. No, it's not perfect. But at least it tries to tell an engaging story with fun characters and a superb message. Also, it has precious cinnamon roll Theo that has so much character due to the bouncing and his voice acting.

Final Rating: Atrocious

Sunday, 7 January 2018

The Thomas Fanbase Shits Itself Again

Another day, another example of whiny little brats getting pissy over opinions. And this could be their most disgusting little stunt so far.

For context, some fans wrote and produced a shitty little fanfic for YouTube: Journey Beyond Sodor: How It Should Have Been. Now I was going to write this narcissistic piece of garbage off as soon as I’d heard about it. Partly due to the narcissistic title, partly due to the fact that past experiences taught me that most fans can’t write a story to save their lives. But, in order to properly have an opinion on it, I bit the bullet and decided to watch it, tweeting my reactions as I did so.

45 seconds in, the destruction began:
I won’t embed all the tweets as there’s so many of them, so I’ll sum up all the problems here:
  • It panders to fans to the point of obnoxiousness (and even then, half of the references are wrong or pointless),
  • Their idea of an “in character” James is an egotistical racist,
  • Gordon ends up becoming a discount James, only he’s discriminatory to other characters,
  • The story constantly contradicts itself,
  • There are so many plot conveniences,
  • The plot itself falls apart after 5 minutes or so,
  • You don’t really care that James is captured because you can’t root for him,
  • It’s completely hypocritical (it’s made as a “fuck you” to Mattel, yet uses so many Mattel era tropes and words),
  • Oliver’s “character” is reduced to “Remember Escape!?”,
  • The realism the film aims for works against the plot constantly,
  • Other characters are severely underused,
  • The songs (and singing) are shit,
  • The sound editing is really bad,
  • There are basic continuity errors between shots,
  • The lack of respect for British terminology and railways is pathetic for a film that says “we’re respecting the Thomas universe”,
  • The themes are atrocious,
  • The pacing is terrible,
  • The film, overall, feels like Sudrian propaganda.
The only counter arguments I’ve seen so far are “the visuals are really good” which simply isn’t true. They’re passable at best, but the blatantly obvious use of green screen for tracking shots look bad. Especially when they’re used to have the engines travel on roads instead of rails.

The other one is “but they spent so long on it”... as though that matters for any reason. Here’s a little reality check for those fans: quality isn’t defined by the amount of time put in, but by the amount of effort put in in that timeframe! With its script that seemed like a first draft, music and sound design that seemed orchestrated in around half an hour and visuals that were hastily cobbled together, this felt like a rush job.

But that’s the thing: every time any two bit hacks throw together a project and release them to the public, they feel as though they deserve praise solely for making something, regardless of quality. And they, and their sycophants, will come up with any excuse to give them that praise when, more often than not, they don’t deserve it at all. And when they don’t get it, they turn into the whiny, screeching manchildren they truly are. Case in point, this thread (I'll embed the first tweet here, feel free to scroll through it in your own time):
How sad and pathetic must your life be to attack a disabled person solely for being disabled? Solely because they had the sheer gall to say a shit film was shit? Solely because one opinion doesn't march in lockstep with theirs? These scumbags are the lowest of the low, and they do it for two reasons:
  1. They can’t think of a good counter argument as to why it’s good, so they just go on the attack.
  2. Their lives are so empty and meaningless that they’d rather tear someone who’s happy and confident down to try and force them to change their minds.
Here’s a newsflash for those fuckwits: I’m not changing my mind until you give me a good reason as to why it’s good. Insulting me will only make me hate it even more, and will result in further exposes with regards to your shitty behaviour in the future. Because I’m done sitting back and taking it. I’m done ignoring it. Last year proved that, and I will continue to call you out this year. Because your behaviour is unacceptable and you’ve been getting away with it for far too long.

EDIT: Since publishing this post, the fanbase has stooped even further, implying homosexuality is a mental problem akin to autism.

Seriously, fuck this fanbase. Hard. All of this bullshit was because someone actually bothered to treat a piece of art like a piece of art and be critical of it. If you're a content creator that can't handle criticism, stop being a content creator.